Tag: Disney
Film Review: ‘Indiana Jones And The Dial Of Destiny’- Indy Retires
As the tag line taught us, “If Adventure has a name, it must be Indiana Jones!” The beloved movie hero has returned for one last ride. For Indy’s final quest, director James Mangold (and co-writers David Koepp and John-Henry and
Tribeca 2023: “Stan Lee”- Film Review
Tribeca 2023- “Stan Lee” David Gelb’s new documentary “Stan Lee” is, for this critic, an important film for two reasons. The first being that the life and career of Stan Lee are inspiring to everyone young and old. Lee was
‘Black Panther: Wakanda Forever’ Review: Sequel Honors Boseman, Fails to Reach Epic Quality
It’s easy, perhaps flippant, to dismiss a product that gives people joy. No matter this critic’s feelings about the Marvel Cinematic Universe, or comic book-based fantasy films in general, Ryan Coogler’s task of mounting the sequel, “Black Panther: Wakanda Forever,”
Film Review: ‘Pinocchio’- A Shrill And Grim Affront To A Beloved Classic
In Robert Zemeckis’ version of the classic Disney tale “Pinocchio”, Joseph Gordon-Levitt does a fantastic job voicing Jiminy Cricket. His vocal styling is near to that of Cliff Edwards (the singer who was the voice of the beloved character in
‘Onward’s Guinevere Rolls Into Phoenix
“Onward,” Disney and Pixar’s latest animated creation, is making a promotional tour stop in Phoenix on February 7th and 8th at OdySea in the Desert.
“Maleficent” Sequel Underperforms, “Zombieland” Overperforms in Weekend Box Office
“Maleficent: Mistress of Evil” under performed while managing to take the top spot in its opening frame. Sony’s “Zombieland: Double Tap” opened just behind “Joker” with a slightly higher average take. “Joker” fell into second place as it runs on
Review: Live-action ‘Beauty and the Beast’ is glorified eye candy
Before I delve into Bill Condon’s effervescent and joyous Beauty and the Beast, there’s a minor confession that needs to be laid bare: I hadn’t watched the 1991 animated classic prior to seeing the live-action version. As it turns out,
Rogue One: A Star Wars Story
War. Over the course of our history, we justify war to obtain that which we might not have access to, but need to survive. In the eyes of others, we use war to protect the few resources we have from
“Tomorrowland”
“Tomorrowland” tries to convey a sense of openness, but the third act robs the film of a chance to mesh its special effects with the characters, derailing the story. It has a solid premise and I believe that the story