Category: 2021
‘Malignant’: Giallo Tinted Horror That Is One Wild Ride
A Fun, Bloody, and Wildly Bizarre Homage To Italian Horror Films That Is An Early Halloween Treat For Genre Fans
‘Everybody’s Talking About Jamie’: Max Harwood Shines; Richard E. Grant Steals The Show
Everybody’s Talking About Jamie is a beautiful story of a teenager becoming a drag queen. Newcomer Max Harwood shines and Richard E. Grant shines. Now in theaters, it will hit Amazon Prime on September 17.
‘Oh, Baby!’: Sometimes We All Need A Release
A warm and funny short about a woman during her last months of pregnancy and her quest to fulfill her very real human sexual needs.
‘Death Drop Gorgeous’: Wicked Queer Horror Goodness
A fierce and outrageous Queer Horror homage to 80’s Slasher films and Italian Giallo that is infectiously wicked and bitingly funny
‘Witches of Blackwood’: An Australian Horror Film Of Spooky Witchcraft
Australian Indie Horror where subtle filmmaking induces real chills from a creepy tale of evil witchcraft and macabre fate
‘Cinderella’: Cannon’s Reimagining of A Classic Is One-Note
#Cinderella, a musical reimagining of the classic fairytale story is overambitious with its themes, using music to carry the story’s tune, rendering it one-dimensional.
New York Asian Film Festival ‘Snakehead’: A Film Of Power
A striking and moving tale of two powerful women from different worlds who meet at the crossroads of their destinies
‘Dear Ike: Lost Letters to a Teen Idol’: Revelatory Doc Inspires Creativity at The Highest Level
Dear Ike: Lost Letters to a Teen Idol is a revelatory look at the intertwining journeys of an aspiring artist, Dion and his consuming desire to work with Ike Eisenmann.
‘White as Snow’: A Devilishly Original Fairytale
White as Snow is an original fairytale featuring Lou de Laâge and Isabelle Huppert. Set in an isolated French Alps community, White as Snow is dark comedy at its finest.
‘Rust Belt Driller’: A Journey Into The Mind Of A Killer
Rust Belt Killer is a good throwback to the low budget gore films of the eary 1980s and a commentary on America’s oversaturation of violence.