‘Frankenstein’ Film Review: A Classic Tale For a New Generation

“Elordi allows The Creature’s humanity to come through organically and his director responds in kind.”

‘Shelby Oaks’ Film Review: Confused Narrative. Zero Scares.

“the director achieves a nice atmospheric quality.”

‘The Hand That Rocks the Cradle’ Film Review: A Popcorn Classic Redesigned

“The Hand That Rocks the Cradle begins on a solid foundation and finds promise in its intimacy and in the involving (and creative) backstory of its two main characters.”

‘The Eagle Obsession’ Review: Hope Fuels Passion

Making a film, any film, is a long, arduous process. In the instance of Jeffrey Morris’s The Eagle Obsession, praise alone is insufficient. The Eagle Obsession is an example where passion meets form. It expertly sits somewhere between “foundational” and

‘Anemone’ Film Review: Ronan Day-Lewis Makes Art of Regret and Redemption

Ronan Day-Lewis bleeds creativity and originality, crafting a darkly ambient and profound human drama that floats easily between eerie realism and dreamlike psychedelica.  

‘The Smashing Machine’ Film Review: Johnson is Powerful, Solo Safdie is Passable

Johnson is almost a lock for an Oscar nomination and one can hope that he will realize the opportunities that await.

‘After the Hunt’ Film Review: Goofy, Pseudo-Intellectual, Wannabe Art

Cartoonish in its attempt to be provocative, After the Hunt feels like a paper from a first year Philosophy student who should probably change their major.

‘One Battle After Another’ Film Review: Now is the Time

Paul Thomas Anderson doesn’t merely “tap in” to what is happening now, he immerses us into a story that no longer plays as a “what if” scenario.