The 2025 Oscar nominees were announced this morning from the Samuel Goldwyn Theater in Los Angeles. As is the tradition of the announcements, the lists of nominees were read live. This year, that honor was given to actors Rachel Sennott (Saturday Night, Shiva Baby) and Bowen Yang (Wicked, the current cast of Saturday Night Live).

While there weren’t too many surprises this year, there were some good films that earned well-deserved nods, while a troubling number of good films and performances were left out. Here are the good, the bad, and the ugly of this year’s nominees and those who were left out in the cold.

THE GOOD-

Emilia Pérez continues to be “the little movie that could” by earning 13 nominations including Best Picture, Best International Feature, and recognition to its star, Karla Sofia Gascón, in the lead actress category. While it can be argued that a nomination for both Best Picture and Best International Feature is basically nominating a film for the same prize, it is nice to see the Academy of Motion Picture Arts and Sciences give this film deserved recognition.

The Brutalist continues to earn respect and defy expectations with 10 nominations in major categories. Director Brady Corbett is now a favorite to take home the Best Director Oscar, but star Adrien Brody (nominated in the Best Actor category) faces strong competition from Coleman Domingo for his career-best work in the underappreciated Sing Sing and Timothée Chalamet’s stunning turn as Bob Dylan in James Mangold’s A Complete Unknown, also a nominee for 8 awards, including Best Picture. For his spot-on portrayal of Folk legend Pete Seeger, Edward Norton’s nomination in the Supporting Actor category may finally bring him Oscar gold. 

The most divisive film of 2024, The Substance, earned Demi Moore her first Best Actress nomination (well-deserved) and Original Screenplay and Director nominations for Coralie Fargeat. Props to the AMPAS for recognizing horror films, a genre that is consistently ignored from decade to decade. 

Though not a surprise, Mikey Madison’s Best Actress nomination for Sean Baker’s tremendous Anora (also a contender for Best Picture), along with the nods for The Substance, shows the Academy still has some chutzpah now and again.

 

THE BAD-

While Wicked was a beloved success with fans and at the box office and is somewhat entertaining, the film was too bloated and riddled with imperfections to deserve a place amongst the Best Picture nominees. 

Isabella Rossellini is a great actress and has done some award-worthy work over the course of her career. In Conclave, the actress was fine, but her role was too small to make an “She deserves an Oscar” impact.

If you are going to give Zoe Saldana a nomination for her work in Emilia Pérez, Selena Gomez deserves one as well. Her work is as “on fire” and explosive as Saldana’s and she has the best song!

Nicholas Cage created one of the most memorably frightening horror film creations in years with his chilling, creepy, and rather terrifying work as the titular character in Longlegs. His work in Osgood Perkins’ instant genre classic is unforgettable. Again, the Academy need not look down on the horror genre. 

September 5 was thrown a bone with a Best Adapted Screenplay nomination, but the gripping and well-executed thriller should find itself in the Best Picture, Best Director, and Best Editing categories.

 

THE UGLY-

Nosferatu. Nosferatu. NOSFERATU! Best Picture, Best Director, Best Original Score, Best Adapted Screenplay, Best Supporting Actor (Skarsgård’s performance will become horror-movie legendary) should have the name Nosferatu among their nominees. While its technical nominations are well-deserved. Eggers masterful work deserved so much more. 

Clarence Maclin more than deserved a seat at the Supporting Actor nominee table for his soul-stirring and inspiring work in Sing Sing. It is a supreme dishonor to both the man and the film to leave him out of the running.

Piece By Piece is one of the most inventive and entertaining documentaries in decades. The film should have earned spots in the Documentary and Animated categories.

Joan Chen’s work in the Indie drama Didi was one of the year’s most moving and the finest of Chen’s career.

The Bikeriders found zero Oscar love. Jeff Nichols’ episodic “Goodfellas on Motorcycles” ode to rebellion was masterfully crafted and anchored by a great script and a shoulda-been-nominated turn from Jodi Comer. 

Rose Glass’ Love Lies Bleeding was one of the most inventive and well-written erotic thrillers in some time. At the very least, an Original Screenplay nod would have been appropriate recognition.

Furiosa: A Mad Max Saga was another George Miller triumph where action film became art. The Academy didn’t think so and dropped the ball hard by ignoring it, especially in the Editing category.

Titus Kaphar’s Exhibiting Forgiveness was one of 2024’s most moving films. For it to be completely ignored is to overlook an important work. To the AMPAS’s defense (somewhat), the studio failed to get behind this one. 

Like it or loathe it, how could Francis Ford Coppola’s Megalopolis fail to receive recognition for its jaw-dropping Production Design, Cinematography, Visual Effects, Sound, and Score?

The 97th Oscars will take place on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles.

Full List of Nominees

Best Picture-

Anora

The Brutalist

A Complete Unknown

Conclave

Dune: Part Two

Emilia Pérez

I’m Still Here

Nickel Boys

The Substance

Wicked

Performance by an Actor in a Leading Role-

Adrien Brody, The Brutalist

Timothée Chalamet, A Complete Unknown

Colman Domingo, Sing Sing

Ralph Fiennes, Conclave

Sebastian Stan, The Apprentice

Performance by an Actor in a Supporting Role-

Yura Borisov, Anora

Kieran Culkin, A Real Pain

Edward Norton, A Complete Unknown

Guy Pearce, The Brutalist

Jeremy Strong, The Apprentice

Performance by an Actress in a Leading Role-

Cynthia Erivo, Wicked

Karla Sofía Gascón, Emilia Pérez

Mikey Madison, Anora

Demi Moore, The Substance

Fernanda Torres, I’m Still Here

Performance by an Actress in a Leading Role-

Monica Barbaro, A Complete Unknown

Ariana Grande, Wicked

Felicity Jones, The Brutalist

Isabella Rossellini, Conclave

Zoe Saldaña, Emilia Pérez

Best Animated Feature Film-

Flow

Inside Out 2

Memoir of a Snail

Wallace & Gromit: Vengeance Most Fowl

The Wild Robot

Best Animated Short Film-

Beautiful Men

In the Shadow of the Cypress

Magic Candies

Wander to Wonder

Yuck!

Achievement in Cinematography-

The Brutalist

Dune: Part Two

Emilia Pérez

Maria

Nosferatu

Achievement in Costume Design-

A Complete Unknown

Conclave

Gladiator II

Nosferatu

Wicked

Achievement in Directing-

Anora, Sean Baker

The Brutalist, Brady Corbet

A Complete Unknown, James Mangold

Emilia Pérez, Jacques Audiard

The Substance, Coralie Fargeat

Best Documentary Feature Film-

Black Box Diaries

No Other Land

Porcelain War

Soundtrack to a Coup d’Etat

Sugarcane

Best Documentary Short Film-

Death by Numbers

I Am Ready, Warden

Incident

Instruments of a Beating Heart

The Only Girl in the Orchestra

Achievement in fFilm Editing-

Anora, Sean Baker

The Brutalist, David Jancso

Conclave, Nick Emerson

Emilia Pérez, Juliette Welfling

Wicked, Myron Kerstein

Best International Feature Film-

I’m Still Here, Brazil

The Girl with the Needle, Denmark

Emilia Pérez, France

The Seed of the Sacred Fig, Germany

Flow, Latvia

Achievement in Makeup and Hairstyling-

A Different Man, Mike Marino, David Presto and Crystal Jurado

Emilia Pérez, Julia Floch Carbonel, Emmanuel Janvier and Jean-Christophe Spadaccini

Nosferatu, David White, Traci Loader and Suzanne Stokes-Munton

The Substance, Pierre-Olivier Persin, Stéphanie Guillon and Marilyne Scarselli

Wicked, Frances Hannon, Laura Blount and Sarah Nuth

Original Score-

The Brutalist, Daniel Blumberg

Conclave, Volker Bertelmann

Emilia Pérez, Clément Ducol and Camille

Wicked, John Powell and Stephen Schwartz

The Wild Robot, Kris Bowers

Original Song-

“El Mal” from Emilia Pérez

“The Journey” from The Six Triple Eight

“Like A Bird” from Sing Sing

“Mi Camino” from Emilia Pérez

“Never Too Late” from Elton John: Never Too Late

Achievement in Production Design-

The Brutalist

Conclave

Dune: Part Two

Nosferatu

Wicked

Best Live Action Short Film-

A Lien

Anuja

I’m Not a Robot

The Last Ranger

The Man Who Could Not Remain Silent

Achievement in Sound-

A Complete Unknown

Dune: Part Two

Emilia Pérez

Wicked

The Wild Robot

Achievement in Visual Effects-

Alien: Romulus

Better Man

Dune: Part Two

Kingdom of the Planet of the Apes

Wicked

Writing (Adapted Screenplay)-

A Complete Unknown, Screenplay by James Mangold and Jay Cocks

Conclave, Screenplay by Peter Straughan

Emilia Pérez, Screenplay by Jacques Audiard; In collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi

Nickel Boys, Screenplay by RaMell Ross & Joslyn Barnes

Sing Sing, Screenplay by Clint Bentley, Greg Kwedar; Story by Clint Bentley, Greg Kwedar, Clarence Maclin, John “Divine G” Whitfield

Writing (Original Screenplay)-

Anora, Written by Sean Baker

The Brutalist, Written by Brady Corbet, Mona Fastvold

A Real Pain, Written by Jesse Eisenberg

September 5, Written by Moritz Binder, Tim Fehlbaum; Co-Written by Alex David

The Substance, Written by Coralie Fargeat