‘Dead Man’s Wire’ Film Review- True Tale Carried by a Good Cast
“The film does a good job of getting its points across without hammering them into simplistic diatribes”
Anthony Chooses the 10 Best Films of 2025
“In just about every genre, the year made it clear that modern cinema is finding its mojo again and I am pleased to report there was an abundance of good-to-great films to choose from.”
Anthony Chooses The Worst Films of 2025
“I do not take pleasure in writing a negative review. It means that I saw a bad film and that is never a good thing. But again, where there is good, there is bad and, as I publish my year’s end “Best of”, balance must be achieved.”
‘Five Nights at Freddy’s 2’ Film Review- Game Over
“One must marvel at how the creator of a unique and multifaceted world can completely botch a story based on his own creation.”
‘Hamnet’ Film Review: Simplicity Disguised as Something Profound
“Jessie Buckley can do no wrong”
‘My Last Best Friend’ Film Review: Two Fates Collide in a Changing World
“Prandi’s style and story earn comparisons to unique filmmakers such as John Cassavetes and Abel Ferrara; two passionate directors whose movies are tough and raw and nothing short of truthful.”
‘Eternity’ Film Review: Love and Hard Decisions in the Afterlife
“Elizabeth Olsen gives a committed performance filled with heart and an old-fashioned comic style that we used to see from performers such as Katherine Hepburn and Myrna Loy.”
‘Sentimental Value’ Film Review: A Resonant Human Drama
“Sentimental Value is the kind of intricate human drama that reminds us how powerful the art of cinema can be.”
‘The Running Man’ Film Review: A Popcorn Movie With Bite
“All of the action works and Wright knows how to shoot it.”
‘Predator: Badlands’ Film Review: The Most Inventive Predator Film to Date
Trachtenberg takes the series on a different path and ups the ante for what audiences expect from a Predator film.